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Romantic Era Music, 2007.
This paper analyzes the musical composition of Hector Berlioz "Harold en Italie."
1,826 words (approx. 7.3 pages), 8 sources, MLA, $ 58.95
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Abstract
The paper relates that, with the rise of the Romantic era, the shape of music began to change. The paper explains that some composers began to address the symphony in terms of program music, expressing ideas that could be stated verbally in music. The paper looks at "Harold en Italie," a composition of Hector Berlioz who is one of the Romantic era composers. The paper analyzes this work and concludes that the program element gives shape to the movements and can be discerned by the careful listener, but it does not dominate and is subservient to the musical requirements of the piece itself.
From the Paper
"Harold en Italie is classified as a four-movement orchestral composition with the addition of a solo viola. The work is also cited as having "the hint of a program" as its titles align "with the nineteenth-century genre of the picturesque symphony" (Bloom, 2000, p. 49), aligning it as well with the Italian Symphony of Mendelssohn, written about the same time. Bloom writes of the work,
""Here Berlioz is clearly playing generic games; in the context of a work of vivid melodic and rhythmic life, and of only covert autobiographical significance, the relatively low intensity and high entertainment value are persuasive (Bloom, 2000, p. 49).""
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Arista Records, 2007.
This paper provides an executive summary of the company Arista Records.
884 words (approx. 3.5 pages), 4 sources, MLA, $ 31.95
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Abstract
In this article, the writer discusses that the story of Arista and its founders appear to embody the ideals of the American paradigm in that founder Clive Davis turned personal misfortune into one of the most prosperous record labels available today. The writer notes that that Arista Records was founded by Clive Davis in 1974, who, through innovation and an adherence to his personal values in the face of criticism, built the label of Arista to sky-rocketing success. Further, the writer maintains that it is precisely this success that helped the company survive in spite of disasters such as the Milli Vanilli scandal. The writer concludes that in general, it appears that Arista Records enjoys a very prominent position in the music industry, and that the company is likely to continue in its success for many years into the future.
From the Paper
"Issues such as the above-mentioned Milli Vanilli scandal and Reid's termination for poor financial management tend to be a detriment for the company's public image. Internal decision-making appears to require attention, as ill-advised decisions such as those mentioned above tend to result in significantly greater risks than are strictly necessary. In the company's future, therefore, it could be recommended that BMG and Arista work more closely in decisions made for the label itself. Like the Milli Vanilli scandal, however, it appears that Arista possesses a sufficient amount of internal strength to mitigate possible weaknesses in its decision-making process. Indeed, the continued support and revenue from the label's association with names such as Whitney Houston and Jermaine Dupri more than mitigates any damage from such elements."
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Arista Records, 2007.
This paper provides a SWOT analysis of Arista Records.
842 words (approx. 3.4 pages), 4 sources, MLA, $ 29.95
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Abstract
In this article, the writer explains that a "SWOT" analysis is usually performed when managers wish to determine their company's current position in the market. The writer notes that the acronym refers to the four areas of "strengths", "weaknesses", "opportunities" and "threats". Such an analysis on Arista Records shows its current position, so that the company's managers and associates can determine what is needed for optimal future development. The writer points out that it can therefore be regarded as a key strategy in ensuring a company's current well-being and future survival. In conclusion, the writer maintains that it appears that Arista's strengths and opportunities are in a strong position to mitigate its weaknesses and threats. If the balance between the four SWOT elements is handled correctly, the writer claims that the label is likely to survive for a long time to come.
Outline:
Strengths
Weaknesses
Opportunities
Threats
From the Paper
"In terms of weaknesses, it appears that Arista Records tends to make ill-advised executive decisions that have a detrimental effect not only on the company's cash flow, but also on its public image. One of these apparently bad choices appears to be replacing Clive Davis with Antonio Reid. Clive Davis contributed a personal, traditional touch to the company by working personally with each artist to ensure his or her optimal development and talent. According to reports, Davis had particular talent in this area, and was therefore responsible for the company's initial success."
"While Reid, according to Jet (2004), is reported in being responsible for high-profile careers such as those of TLC, Toni Braxton and Pink, a fundamental flaw in his management strategy was overspending."
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Mikhail Kuzmin And Italian Commedia Dell'arte, 2007.
An analysis of the life and writings of Mikhail Kuzmin and Italian commedia dell'arte.
983 words (approx. 3.9 pages), 6 sources, MLA, $ 34.95
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Abstract
This paper analyzes early twentieth-century Russian theater and cabaret. It focuses on the work of writer, poet and playwright Mikhail Kuzmin and Italian commedia dell'arte. It provides a background of Kusmin's life and focuses on the impact of his homosexuality in his writing. The paper then describes some of his works and critics' analyses of them.
Table of Contents:
Objective
Introduction
Kuzmin (writer, poet, playwright) Russia's First Openly Gay Writer
The Entire Life of the People Lived Out in the Theatre
Integration of Elements of Commedia and Reality
Summary and Conclusion
From the Paper
"The unleashed sexuality, the brewing revolution, and the overall societal shift during this period of time resulted in vivid displays of contention of the present political system at this time in Russia. Masses flooded the theaters and the theaters took to the streets as a revolutionary spirit moved in and among all in the Russian society, inciting rebellion against the status quo and in the dramatic displays in the artistic events and movement of that time period that was the driver of and to a great extent of the progression of the revolution that took place in Russian in the early twentieth century."
"Artists were given prominence among scholars and politicians however, only for a moment of time as post-Revolution thought exhibited little appreciation of those who provided such fire and energy propelling the revolution forward. The post-Revolution period witnessed the work of Kuzmin "falling out of favor with the Communists, and Leon Trotsky (1879-1940), in the work entitled: "Literature and Revolution" (1924) labeled the work of Kuzmin as "disreputable and useless." (Clayton, nd )"
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Arista Records, 2007.
This paper examines the strategic management of the Arista Records company.
911 words (approx. 3.6 pages), 4 sources, MLA, $ 32.95
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Abstract
This paper looks at the importance of strategic management within the music industry, focusing on the Arista Records company. The paper discusses the importance of factors such as strategic alliances, eliminating unnecessary drains upon the budget, protecting the company from threats such as piracy and illegal copyright practices and finally, maintaining its favorable image with the public. The paper reveals that Arista's future in terms of strategic alliance, budget control and innovative products appears to be bright. The paper shows how, as part of a larger conglomerate, the company seems to be aware of the importance of strategic alliances that can be used as a vehicle for further innovative ideas and a concomitant increase in revenue.
From the Paper
"In creating strategic alternatives for a company, it is important to take into account the various challenges and dynamics of the current business world. Particularly, it is also important that the company focus on the specific industry within which they function, and how they can best use industry developments in order to create a sound strategic management program. Functioning within the music industry, Arista Records is no exception to this paradigm."
"The music industry has seen rapid and extreme changes over the decades since the 1950's. Vinyl records have for example been replaced by CD's, which has been supplemented by digital music technology. On the industry scale, large conglomerates such as Sony and BMG have begun to monopolize the industry, making competition and market entry difficult for small-scale companies without affiliations with large-scale conglomerates."
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Musical Therapy, 2007.
An experiment to determine the effects of musical therapy upon the learning process.
1,420 words (approx. 5.7 pages), 4 sources, MLA, $ 47.95
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Abstract
The paper discusses the therapeutic value of classical music. The paper presents an experiment to observe if musical therapy actually increases performance in learning. The paper shows how the results were inconclusive, in that they showed no statistical correlation between learning and classical music itself. The writer notes that he/she has, however, identified many errors that could be attributed to the poor results.
Outline:
Introduction
Background
Purpose statement
Methods
Results
Discussion
Summary
From the Paper
"People tend to think that any type of background music will cause them to become calm and focused, receiving the therapeutic effects of music. Quite to the contrary Dr. Oliver Sacks, a neurologist writes that there is a strong difference between recreational music and therapeutic music. He explains, "the power of music to integrate and cure is quite fundamental. It is the profoundest non-chemical medication" (Sacks, npg). The beauty of music in general is that music is very easily absorbed by our minds. Since it is such an easy integrating method with our brains, we can achieve a sense of greater peace and tranquility when fully concentrating on music."
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The Changing Sounds of Jazz, 2007.
This paper discusses jazz focusing on the Dixieland revival of the 1930s and the blues revival of the 1960s.
1,727 words (approx. 6.9 pages), 5 sources, APA, $ 55.95
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Abstract
In this article, the writer notes that the sounds of jazz with its unique rhythms, instrumentals and vocals remain a mystery to many even today. However, the writer points out, it is more through a lack of understanding of the sounds of jazz, perhaps even the history of the music that it is cast into the category of musical mystery for those less gifted, but who nonetheless appreciate good music. The writer discusses two special moments in the history of jazz:the Dixieland revival period, or the "Swing Era," during the early 1930s and going into the 1940s; and the blues revival of the 1960s. The writer notes that a look at these two periods of musical history is interesting, and a music lover's delight, and informative when considering the influence both periods had on what is jazz today.
Outline:
The Dixieland Revival of the 1930s
Blues Revival of the 1960s
Conclusion
From the Paper
"Some historians have traced the roots of blues to a period in American history beginning with the arrival of the first slaves, in 1619. Ambiguous or contentious as that may be, it nonetheless serves as a marker for what is surely one of the most significant forms of music in America; the blues. Perhaps what can be said, without contention and without setting historians and musicians alike into a tailspin, is that the blues, like Dixieland, have experienced peaks and low in musical history, and has contributed and influenced the heart of jazz. One of the significant periods in history where the blues experienced both a revival in sound and style, and from which, like the Dixieland of the 1930s, emerged new figures of greatness; and a time that greatly influenced and helped spotlight once again jazz, is the 1960s."
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Britten's Midsummer's Night, 2007.
This paper discusses the opera 'Midsummer Night's Dream' by Benjamin Britten.
986 words (approx. 3.9 pages), 3 sources, MLA, $ 35.95
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Abstract
In this article, the writer notes that Benjamin Britten obtained the plot for the opera, "Midsummer Night's Dream", from Shakespeare's play by the same name. The writer relates that in 1960 Britten, along with his companion, Peter Pears, presented it as a showpiece for friends and for a wide variety of talents. The writer points out that the opera contains a largely spoken, theatrical part, a boy's soprano choir, a large fairy who sings coloratura, a simple country bumpkin named Bottom whose head is turned into an ass' head by Puck and romantic subplots. The writer maintains that the opera is humorous and lyrical and a treat for the musical ear. The writer concludes that in this opera, the audience falls in love with Puck and with the fairies, as if the love-juice had been put on their own eyes.
From the Paper
"Britten starts the opera in what was the second act of Shakespeare's play, but refers to what happened, so the audience does not feel anything is missing. The rustic folk, the fairies and the lovers are first presented in the woods around Athens and from there on the action never stops. The lead role of Oberon is sung by a countertenor, which is very rare, as leads are usually sung by tenors or basses. As the fairies appear, the well-known song, "Over hill, over dale" is heard, sung by Tytania's young boys' fairy choir. The strange relationship of Tytania and Bottom is the central romantic story that Britten chose to make the centerpiece of the opera. The dominating female fairy has a very difficult role to play, as she is attracted to Bottom, but is subject to Oberon and his accomplice, Puck, who make her life very difficult and her music hard to sing."
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Baroque Vs. Classical Music, 2007.
This paper discusses and contrasts the Baroque style versus the Classical style of music.
766 words (approx. 3.1 pages), 5 sources, MLA, $ 27.95
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Abstract
The paper examines differences in the Baroque and the Classical music styles. The paper looks at the melody, rhythm, harmony, texture, form and dynamics of both styles. The paper discusses the Sonata Allegro form and what types of works commonly use this form. The paper discusses the music of Mozart and relates that he is often seen as a bridge between the Baroque and the Classical eras.
From the Paper
"In contrast to Classical music, Baroque music primarily tries to create a feeling of continuity rather than tell a story through a developing, evolving, or shifting use of melody. In Baroque pieces, the opening melody will be heard over and over again in the course of the piece. Many Baroque melodies are quite ornamental and elaborate while Classical melodies are much less adorned, and much easier to play and to remember ("Characteristics of Baroque Music," Thinkquest.org, 2007; "Characteristics of Baroque Music," Thinkquest.org, 2007). This greater simplicity allowed Classical composers to play with the use melody more within the different movements of the piece."
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Romanticism, 2007.
A discussion of romanticism, explaining that it is the artistic movement that appeared as a reaction against the rationalism,.
3,376 words (approx. 13.5 pages), 11 sources, APA, $ 96.95
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Abstract
This paper reviews and discusses romanticism. The paper takes a look at the art, music and poetry that emerged during the romantic era. The paper describes its history, the main elements of romanticism and how it differed in different countries. The paper then goes on to discuss political romanticism.
From the Paper
"The romantic musicians found their muse of inspiration in literary works, paintings, and other art sources. Therefore, they believed in the same art values, like freedom of form, peculiar vibration of feelings, impulsive reactions, uniqueness, etc. As literary works reveal solitary characters to bear the imprint of emotional experience, music reveals instruments that have exactly the same role as characters in literature. They create the emotional values. The French composer Hector Berlioz and the Hungarian musician Franz Liszt had the roots of their inspiration in literature. Plenty of music works were created in the 19th century. The most known and successful ones are written by Schubert, Johannes Brahms, Hugo Wolf, Robert Schumann, and Richard Strauss. Abstract music was expressed in chamber music and symphonies. In this respect, there are plenty of composers who may be given as example. Musicians like Schubert, Schumann, Brahms, Tchaikovsky were the most important as they tried new free form music, adapted for the piano, mostly."
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Music Therapy, 2007.
This paper discusses music therapy and looks at the power of music in helping individuals.
2,409 words (approx. 9.6 pages), 5 sources, MLA, $ 73.95
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Abstract
In this essay, the writer discusses that since humans first walked on the earth, they have used music as a way of gaining inner peace, solitude and pleasure. The writer points out that with voice alone or musical instruments, with friends and family and small groups and large, music has been an important part of human societies throughout the world. Music connects with the inner self. It provokes emotional response, or it reduces it. The writer notes that it is not surprising, then, that modern-day therapists use music as part of their treatment for social or emotional problems for the youngest child to older adults. Music therapy is as old as the beginning of humankind, itself. The writer concludes that it is only recently that it is finally being recognized for the power and importance it plays in helping individuals of all ages, backgrounds and mental, physical and spiritual needs.
From the Paper
"Although music therapy has only recently been designated as a profession, it goes back to the earliest of times. At the beginning of the 19th century, William B. Davis reported on the activities of The Guild of St Cecilia, established in 1891 by the musician Canon Harford, which played calming music to a large number of patients in London hospitals. Unfortunately, the Guild was closed due to criticism from the musical and medical press, lack of funds and Harford's illness. Davis also noted that a number of similar organizations were founded in the United States during the early 20th century. However, they also did not last long."
"During World War II, there was an increasing interest in using music as a therapy for soldiers who were returning home in mental or physical pain. Hospitals and physicians increasingly began to use music and asked musicians for research that would indicate the therapeutic value. Musicians, however, did not have the academic background for such research."
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Hip-Hop, 2007.
This paper discusses the social-cultural-musical phenomenon called Hip-Hop. circa 1965 to 1985.
1,830 words (approx. 7.3 pages), 10 sources, MLA, $ 58.95
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Abstract
This paper explains that the post-civil rights and black power groups, who witnessed so many radical social changes, provided the attitude and style that gave birth to Hip-Hop. The author points out that MCs (emcees), DJs (deejays), break dancing and graffiti art are considered to be the roots of the movement that empowered urban youths to use music, dance and other forms of artistic expression to describe life as they saw it. The paper stresses that, when listening to today's Hip-Hop and R&B, it is important to remember that many artists from the 1990s, who are still around, do not consider today's Hip-Hip as "tru Hip-Hop".
Table of Contents:
What is Hip-Hop?
Roots of Hip-Hop Culture
Creativity
Bling-Bling?
Wrapping It Up
From the Paper
"Depending on who was the first to be commercialized, one thing that will always be argued is that once Hip-Hop was made into a commodity it needed to be mass-produced. From the top, Hip-Hop artists would sign onto independent labels only because the owners were willing to take a risk. No major record label wanted to sign an artist who could only reach a certain group or community and when signing an artist, companies want to make sure that the artist would be able to sell records to all of America and not just the inner city suburbs."
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