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High School Choral Choirs, 2005.
A look at a methodological and psychological approach to teaching adolescents singing in a choir.
1,658 words (approx. 6.6 pages), 10 sources, MLA, $ 53.95
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Abstract
There are known problems that are inherent in the management of a high school choral department. Most particularly, the mixed choir due to the status of the "changing voice" of the male adolescent as well as the perception experienced by adolescent males that they may not be "rough enough" and tend to pull back from membership wherein they perceive themselves in view of what others have to say about their membership in the chorus. There are also problems in uniting the group and attainment of the necessary cohesion for excellent performance within the learning environment. This paper examines some of the issues facing the high school choral teacher and briefly examines some of the methods being utilized by teachers in this high school chorus setting to enhance learning.
Table of Contents
Statement of Thesis
Introduction
I. The Methodological Approach
II. Traditional Techniques
III. Tone, Pitch and Sight-reading
Conclusion
From the Paper
"In conclusion, theory, technique and performance are all an integral part of teaching music that is not "optional" but are indeed "elemental" in music education. Necessary integration of the male and female gender adolescents must be the focus as well as an environment that is conducive to learning as well as being one that provides a "positive educational experience" for the student. The provision of a positive learning experience is of great value and promises to be successful if implemented and nurtured within a system of education. To accomplish this is requires a networking system among teachers, schools and staff who will all work "as though one" in coordination focused on the preparation of a positive learning base. Beginning with the preschool and carrying the students best interest as priority until commencement of graduation, this method will demand open communication and dedication."
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History of Jamaican Music, 2005.
A look at how the culture and society of Jamaica has influenced her music.
1,458 words (approx. 5.8 pages), 5 sources, MLA, $ 48.95
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Abstract
Jamaica's music is influenced by the African, European, and Spanish cultures of its inhabitants. It explains that the different cultural backgrounds of the indigenous tribes blended with the Spanish and European colonists to create a music that was unique in many respects. The writer points out that Jamaican music is a form of expression, as well as an attempt for a culture to define itself. Its achievement lies in the fact that, despite its humble beginnings, it has become a global force in the musical world.
From the Paper
"Lewin and Gordon explain that native Jamaican music can be broken down into five categories, which are ritual, ceremonial, social, work and recreational. In addition, they state that ritual, ceremonial, and the social aspects of the music were the most popular forms of music in Jamaican culture and were still significant at the turn of the century. (Lewin and Gordon) Folk music originated as a result of dealing with life and its variety of circumstances. This underlying theme of coping with the joys and sorrows of life remains a significant aspect of Jamaican music. In short, Jamaican music serves many purposes and, as a result, is a form of all sorts of expressions."
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The Beatles.
This paper discusses the Beatles, the most influential artists in the music format of rock and roll.
850 words (approx. 3.4 pages), 3 sources, MLA, $ 30.95
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Abstract
This paper explains that the origin of the Beatles was the union of Paul McCartney and John Lennon in a band called "The Quarry Men," later to be joined by George Harrison, and finally, Ringo Starr. The author points out that Beatlemania began after an appearance on "The Ed Sullivan Show" in 1964, and, the following year, the Beatles were made "Members of the Order of the British Empire," an award honoring those who are deserving either for achievement or service to the country. The paper relates that, at the top of their career, the Beatles began to unravel upon the death of their manager, Brian Epstein; the stress of fame and fortune was beginning to show on the group and, in 1969, "Abbey Road" was their last album to be recorded.
From the Paper
"Rock and roll has created a culture like no other form of music ever before experienced on this planet. It has permeated through cultures so diverse that one would think they would never have anything in common. Yet, rock and roll knows geographic boundaries. It knows no language barriers. And, it knows truly no age restrictions. Rock and roll has become more universal then any other music form ever developed."
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The Tuba.
This paper discusses the history of the tuba, a musical instrument.
1,205 words (approx. 4.8 pages), 4 sources, MLA, $ 41.95
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Abstract
This paper explains that the tuba is the descendant of the serpent, a much older and now obsolete form of the tuba created sometime around 1590s; it is also related to the old cornet and the ophicleide.The author points out that the modern tuba came into being largely because of the piston valve in early 1800s, but it took some time to design a small piston valve, which could be fitted in a bore instrument. The paper relates that tubas are available in different sizes, which determine their pitches and, thus, their functions; for example, concerts bands are more in favor of using B-B-flat tubas, while the orchestra players prefer C-C tuba.
From the Paper
"The Serpent was not immediately taken over by the tuba. There were some other variations designed before the tuba was finally embraced in its modern form. The other important ancestor of tuba is the ophicleide, which is a name deserved from two Greek words meaning serpent and keys. It was precisely in 1810 that ophicleide was designed in Ireland by Joseph Halliday. The instrument resembled a cornet in its function but looked more like a saxophone where its shape was concerned. Just like a serpent, ophicleide didn't particularly produce a pleasant sound, as extra lungpower was required to generate sound from this long curved instrument."
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Music Therapy, 2004.
An analysis of the therapeutic use of music in the care of dementia patients.
15,400 words (approx. 61.6 pages), 70 sources, MLA, $ 249.95
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Abstract
This paper discusses the use of music therapy to care for elderly patients suffering from dementia, in general, and Alzheimer's, in particular. The paper explains how nurses are at the forefront of the utilization of music therapy because they are the primary caregivers associated with the elderly. Guidelines based on understanding dementia and the effects of music therapy are used to design hypothetical programs for the treatment of Alzheimer and dementia patients.
Table of Contents
Chapter 1: Introduction
Chapter 2: Music Therapy: Origins and Generic Uses
Chapter 3: Understanding Dementia
Chapter 4: Music Therapy Literature Survey
Chapter 5: Nursing Guidelines for Music Therapy
Chapter 6: Conclusions
Chapter 7: Bibliography
From the Paper
"The current President George W. Bush took the easy and political way out when he decided that government funds for his research would only be carried out on existing embryonic cell lines. (ABCNews, 2003) In any case, conservative commentators have called the younger Reagan's words disingenuous because they believed that he insinuated that a cure for the disease was just around the corner. The operative word that gets every body riled up is the word "embryonic." Abortion supporters and opponents weigh in on the matter. Dr. Bernadine Healy, former head of the National Institute for Health, opined in an editorial on a recent US News and World report asking that adult stem cell research be given a chance. (Healy, 2004)"
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Electronic Music, 2005.
The history of electronic music.
7,232 words (approx. 28.9 pages), 7 sources, APA, $ 160.95
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Abstract
This paper looks at the history of electronic music and how this history can help explain the way music is made today. The paper describes the different types of electronic music, the instruments used to make electronic music, composers of electronic music, the development of the synthesizer, and how computers are used to generate music.
Outline
Changing Instrumentation
Electronic Music
The Development of the Synthesizer
The Music
Computer Music
From the Paper
"Electronic music has become a staple in popular music, a vital part of experimental and avant-garde music, and an occasional means of performing classical music. Different types of electronic production are also common for music in films, television programs, and commercials. Electronic music has been produced in some form for more than a century, but it has become more common with the creation of the synthesizer and other electronic instruments, and even more common as these and similar devices have been computerized and digitized. The synthesizer can simulate an entire orchestra or just one or two instruments. The adept user can produce a wide variety of sounds, composing in studio or in performance. A single user can thus use this system to produce short or long works, including adding a soundtrack to a silent film at minimal cost and without the need for a studio full of musicians. The synthesizer was produced after decades of experimentation with electronic music as different composers sought ways to express themselves in this manner."
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Wolfgang Amadeus Mozart, 2005.
A brief examination of the life and works of composer Wolfgang Amadeus Mozart.
1,212 words (approx. 4.8 pages), 3 sources, MLA, $ 41.95
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Abstract
This paper looks at the short but brilliant life of the famous composer, Mozart. It discusses how his family upbringing impacted his talent and looks at some of his many musical achievements. The writer concludes by examining the impact of Mozart's music today.
From the Paper
"Mozart composed every sort of work presented in his day: symphonies, operas, chamber music, minuets, sacred music. Despite that, and the lasting value, Mozart was given only a cheap funeral when he died, and was buried in an unmarked pauper's grave; his body has never been located (Krantz, undated). But his contributions to music are gargantuan, and still vibrant. Today, his work is also regarded as a catalyst to intellectual pursuits, with albums of his works issued specifically to be played to enhance brain function; a quick tour of any large music store will probably reveal 'brain enhancing' collections of Mozart. But his major contribution to music itself is this: Mozart was, by many, considered to be "the central pivotal point in the music of Europe," a man who created "the bridge...between the old world of music and the modern world of music" (Ardoin, 1989)."
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Clay Walker.
This paper discusses country musician Clay Walker, his musical development, and style.
1,370 words (approx. 5.5 pages), 8 sources, APA, $ 45.95
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Abstract
This paper explains that Clay Walker is one of the recording stars responsible for the current popular explosion of country music, a multi-billion dollar industry, which has surpassed rock-and-roll and pop music to become the best-selling music genre in the United States. The author points out that Clay is well-known for his high-energy concerts and performance style, even though he has multiple sclerosis. The paper relates that Walker uses techniques of country music, such as themes and stereotypical portrayals to good advantage; however, he also uses some elements from classical music. For example, in his song, "If I Could Make a Living," Walker uses a musical style from Elizabethan songwriters, which is called antimetabole.
Table of Contents
Review and Discussion
Biography of the Artist
Musical Development
Musical Style and Style Changes
Conclusion
From the Paper
"Walker was born on August 19, 1969 and was raised on a farm in Beaumont, Texas, the hometown of George Jones. Walker came to country music at an early age when his father presented him with a guitar when he was only 9 years old. Following his graduation from high school (where he "haunted the practice rooms of the music department teaching himself to play the piano"), Walker pursued a full-time musical career by playing concerts across the United States and Canada. "For over three years, he toured and went to school, taking courses about the music business. During this time, he acted as his own manager." Walker's real break came when he took a job as the house singer at a club in Beaumont, Texas."
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Is Eminem Safe?.
Examines the effect of hip-hop on society, focusing on American singer, Eminem.
2,217 words (approx. 8.9 pages), 14 sources, MLA, $ 68.95
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Abstract
Today's pop culture is more heavily based on music than ever before in history. The advent of music videos and the Internet has made music one of the most prevalent features in society. One of the most omnipresent genres of music today is hip-hop. No longer simply an underground form of urban music, hip-hop today is utterly pervasive in the global youth community. What began as a means of expression for the disenfranchised blacks of the South Bronx area has evolved into a multi-billion dollar industry that influences every thing from prime time television to fashion (Taylor) to the way an entire subculture thinks, speaks, and feels. No matter what corner of the globe, if music videos are played. and CDs are sold, hip-hop has had an impact on that society The question then becomes whether that impact has been positive or negative. This paper explores one of the most successful hip-hop artists, Eminem, in an attempt to answer this question. A brief historical synopsis of hip-hop is given, as well as an overview of Eminem. From there, the media's take on Eminem is explored, along with his effect on today's youth. Finally, other hip-hop artists are presented, and the paper shows how they too have affected an entire generation of global youth.
From the Paper
"Eminem falls into the sub-genre of hip hop music deemed "gangsta rap". As Haugen notes, this style of hip hop music that has made Eminem such a success, uses drugs, guns, crime (such as: murder, robbery, rape, etc.), and promiscuous sex to display a "gangsta" image, to the listener. The challenge with Eminem's music is that his portrayal of these societal ills as "cool" affects his millions of fans, who happen to be primarily youth. These youth are not equipped with the reasoning skills (McCrillis) to determine on their own that these are inappropriate behaviors, and as such accept them as normal and eventually, right."
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Beethoven's String Quartet Opus 18/6.
This paper discusses the life of Ludwig Van Beethoven and describes his String Quartet Opus 18/6, published by T. Mollo et Comp in Vienna in 1801.
1,000 words (approx. 4.0 pages), 2 sources, MLA, $ 35.95
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Abstract
This paper explains that Beethoven studied under Joseph Haydn, the "father of the string quartet," who inspired Beethoven's first six string quartets, including Opus 18/6, written for two violins, a viola, and a cello. The author points out that, because of his troubled personal life, his music often depicts a theme of struggle followed by triumph as is evident in Beethoven's first six string quartets, which were composed before he went deaf. The paper describes each of the four distinct movements of String Quartet Number 6, Opus 18/6: 1. Allegro con brio; 2. Adagio ma non troppo; 3. Scherzo: Allegro; and 4. La Malincona Adagio-Allegretto quasi Allegro. A listening chart for the First Movement is included.
From the Paper
"Beethoven began composing string quartets in his so-called "early period," the time of his musical career in which he was exploring different styles and primarily emulating his teacher Joseph Haydn. Moreover, Beethoven's "early period" is also the time before he began to go deaf, around age 30. When Beethoven began losing his hearing, his impending deafness led the musician into deep mental depression. His social life deteriorated and he became suicidal as well. Music written during Beethoven's "middle period" is characteristically grand, expressing "heroism and struggle.""
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Musical Genres, 2005.
Examines the development of several contemporary musical genres.
2,043 words (approx. 8.2 pages), 3 sources, MLA, $ 64.95
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Abstract
This paper presents an understanding of certain musical genres. The research includes various examples of formats such as rap, techno, disco, and other musical outreaches. By examining the likes of these various genres, we gain an insight into society's trends at the time the particular musical style was most popular. For example, the foundation of rock was strongly influenced by the Vietnam war, 'free love,' and a drug experimentation era. The paper shows that disco, rap, and techno are no exceptions. There were cultural situations that greatly increased the chances of these styles' success.
From the Paper
"The entire movement revolved around a new way to dress, dance, talk and even walk. "The way they danced, dressed, walked, and talked was unique, as opposed to most of the disco artists and fans of the time, which were not as in touch with the urban streets of America." (Blow, Kurtis) Hip-hop represented the new generation of blacks suffering in urban poverty. The passion and truth generated were really cries for help and today those cries are being answered by middle class whites all trying to be as cool as the original B-Boys."
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Bob Dylan: The Poet and Man, 2004.
Examines how Bob Dylan's life affected his music and analyzes six of his works.
1,200 words (approx. 4.8 pages), 3 sources, MLA, $ 41.95
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Abstract
Bob Dylan is defined by his poetry and songwriting, with his most memorable works relating to the theme of protesting and religion. This paper examines how events, as well as the influence of other musicians, affected Dylan's music. The paper examines Dylan's background, the times he wrote in, and analyzes six of his greatest works: "Mr. Tambourine Man," "Blowin' In The Wind," "Highway 61 Revisited," "Oxford Town," "The Times They Are A-Changin,'" and "With God On Our Side".
From the Paper
"This song is about how the world has failed the everyman. The voice of the everyman asks for Mr. Tambourine Man's help in finding peace by singing a song to help him sleep. Dylan uses rhyme throughout the work but it is the free verse of his pen that makes this song work on many levels. He paints a grim picture of the world's status by describing the everyman's plight in life. He writes, "My weariness amazes me, I'm branded on my feet, I have no one to meet. And the ancient empty street's too dead for dreaming" (Bobdylan.com)"
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