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Jazz, 2005.
An overview of the definition and origins of jazz.
1,214 words (approx. 4.9 pages), 7 sources, MLA, $ 41.95
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Abstract
Jazz is described as a form of musical improvisation that combines both organization and spontaneity. It is the spontaneous improvisation that separates it from traditional Western music, which is written down in notation as carefully as possible, in order to make sure that it is performed as closely to the composer's intentions as possible. This paper provides a definition of jazz before exploring the origins of this musical genre. The paper examines what makes certain music be regarded as jazz and explores the influence of jazz on other music.
Paper Outline:
Introduction
The Origins of Jazz
What Makes it Jazz?
The Influence of Jazz
Conclusion
Bibliography
From the Paper
"Even though jazz is a rich mixture of melody, rhythm, harmony and inventive improvisation based on those basics, it has always not been treated with respect by music historians and other experts. For instance, in his book An Illustrated History of Music, the author does not even give jazz a mention. Marc Pincherle seems to have a bias toward traditional Western European styles of music, but Gerard (p. 12) states, "Music does not have to be totally predictable to be beautiful." Jazz may suffer because it is often not written down in notation, and because much of its history is recorded informally."
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The Jazz Roots of "Blast!", 2005.
Examines the influences of jazz and African-American music on the successful musical, "Blast!"
750 words (approx. 3.0 pages), 1 source, MLA, $ 26.95
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Abstract
"Blast!", the musical, grew from the award-winning drum-and-bugle corps Star of Indiana, founded in 1984 to benefit young people in music education. Star moved beyond its earlier triumphs to bring the power, passion and precision of outdoor pageantry to the stage in a musical performance that is now called "Blast!" This paper shows that by merging drum corps's pageantry, marching precision and instrumental virtuosity with the repertoire, props, costuming, staging, dance moves, and special effects of musical theater, "Blast!" made its world premiere in December of 1999 at the London Apollo Theatre. The paper explores the jazz and African-American roots of this musical.
From the Paper
"Musically, jazz, African music, and Blast! share a number of similarities. All three depend heavily on brass and percussion and incorporate a multitude of instruments, both conventional and unconventional. In traditional African music, persistent and repetitive percussion is the general base for whatever other vocal or instrumental effects may be created against it. Drums, rattles, sticks, stones, iron gongs and bells may all be used separately or simultaneously to produce a series of intricate syncopated rhythms, often very complex in beat and off-beat, and possessing a dynamic drive impelling to body movement."
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For the Love of Music, 2005.
Argues that mainstream music is not always considered good music.
1,533 words (approx. 6.1 pages), 4 sources, MLA, $ 50.95
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Abstract
This paper takes a look at popular, mainstream music and argues that a lot of what is heard on the radio could be considered 'air pollution'. The paper argues that taste in music is subjective and true music lovers will take the time to understand what good music entails, and strive to keep the sense of individuality and creativity that is so rare these days.
From the Paper
"Mainstream hip-hop today bases itself on extravagant videos and concerts containing designer clothing, expensive cars, countless 'hos,' ridiculously large pieces of jewelry (which they call 'bling-bling'), and hugely inflated egos. The only goal is to go platinum, fifty times over, and be as rich and famous as possible. Much of today's hip-hop only reflects the materialistic, egotistical, and greedy producers behind the actual talent, if there is any talent at all. "
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Guillaume Dufay Music from Medieval and Renaissance Music, 2006.
An examination of Guillaume Dufay's music and its origins.
34 words (approx. 0.1 pages), 6942 sources, MLA, $ 17.95
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Abstract
In this paper the author looks at what Guillaume Dufay's music meant in terms of music history. The author starts with a look at the Gregorian chant from Medieval times which was the main form of sacred music, how it developed and what it gave to modern music. The paper continues with a look at the other forms of music that have developed over the years and contributed to the work of Guillaume Dufay. In particular the author highlights the development of church music in the Renaissance period which, as he points out was the basis for Dufay's music compositions. The author discusses the life and works of Dufay's music as a move towards a clearly defined tonal and functional harmonic structure. The author believes that this helped prepare one of the most important stylistic developments in music of the following century. In conclusion the author reminds us that we are lucky to have the musical pieces that have been curated and restored. A number of Dufay's as well as other composers from that era had masterpieces destroyed because of the political climate.
Outline:
Table of Contents
Introduction
Gregorian Chant
Motet
Troubadour Influence
The Development of Musical Notation
Polyphony
Machaut
Guillaume Dufay a Biography
Dufay's Music
Dufay and Faux-bourdon
Dufay's Motets
Conclusion
From the Paper
"Dufay began composing at a time when musical style was in a period of relative stability and changing that style was not readily accepted. Dufay cannot be thought of as one of the great revolutionaries in Western music; the term 'originality' in the classic sense of the word was not familiar to him. This is not to say, however, that Dufay was in any way lacking of originality or he was in any way reactionary. Quite to the contrary, he played an integral role in the development of faux-bourdon and the cyclic mass. He was one of the first composers to handle four-voice texture with any kind of convincing skill before the end of the 15th century. Furthermore, his attempt to move towards a clearly defined tonal and functional harmonic structure helped prepare one of the most important stylistic developments of the following century. Dufay's works and compositions have come to be known as the supremely polished works of a long period of slow and serene stylistic change."
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John Dunstable?s Cyclical Mass, 2006.
An examination of the works of the composer John Dunstable.
1,247 words (approx. 5.0 pages), 3 sources, MLA, $ 42.95
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Abstract
In this paper the author examines the works of John Dunstable centering on his compositions that were written specifically for the Church. The author looks at Dunstable as one of the great contrapuntalists working in classical music during the Renaissance pointing out that he is known for his work in the motet form, a product of the fourteenth and fifteenth centuries. The author defines the motet as a composition for unaccompanied choir with sacred text sung in Latin, since it was designed to be performed in Roman Catholic liturgical services. He then goes on to describe the different methods with which Dunstable's work can be performed and the developments in music that occurred as a result of his works. In conclusion the author looks at Dunstable as a standard setter for future Masses that were treble-dominated, as well as the harmonic innovation that resulted in the first form of the modern triads that form popular and symphonic music today.
From the Paper
"The mass is a suite that is presented throughout the Latin Mass, a service containing a set series of segments, each addressing a particular aspect of Catholic belief. Dunstable's Missa Rex saeculorum has sometimes been ascribed to Leonel Power, who composed the earliest tenor Mass extant today. In this work, the Kyrie is eliminated, as is common in most cyclic Masses of English origin. There are two long sections in triple and duple meter set against an isorhythmic tenor line. In its compositional structure, the phrasing of the text is ignored and the notes are used as structural support for the piece. Sometimes a phrase breaks off mid-word, taking the chant out of its proper mode The duet sections are written in a form strictly identified with English composers, and the tenor voice provides a unifying factor."
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"Karaoke Nights", 2006.
A book review of the popular book " Karaoke Nights" by Rob Drew.
966 words (approx. 3.9 pages), 1 source, MLA, $ 34.95
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Abstract
In this book review the author starts with a look at the background behind the writing of the book "Karaoke Nights" by Rob Drew. He highlights how Drew was originally drawn to the topic of his book as a research subject only but as he learned more, he elaborated on the karaoke phenomenon. The paper looks at how "Karaoke Nights" is an observation on the external behavior of deejays, performers, and audiences and an intimate portrait of the emotional roller coaster that is the internal life of a karaoke singer. The author also examines how Drew provides an analysis of the varied roles karaoke plays in popular culture and how karaoke can guide to an understanding of local music and culture. The book review concludes with a summary of how karaoke has had a great impact on the American culture at weekends giving people a motive to act out a part and have fun at the same time, as described in "Karaoke Nights".
Table of Contents
Introduction
History of Karaoke
Karaoke Nights
Conclusion
From the Paper
"Another point that Drew make in his book that American culture relies on a good time Saturday nights so that they relax after a hard week's work. And, ten years ago, karaoke caught on in America after being in Japan for many years before. Drew describes this craze from Japan a great way for people get together and live out some of their fears by singing songs in a public place where others could easily make fun of them. However, everyone in that local karaoke bar is feeling the same fears so they respect the person's feelings and not torment them while they are on stage singing out of tune. Most people do sing out of tune as Drew points out but karaoke is all about having fun and doing something some people would not normally do in front of others."
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"Miles Davis: A Biography", 2005.
An overview of this biography about jazz trumpeter Miles Davis by Ian Carr.
1,200 words (approx. 4.8 pages), 1 source, MLA, $ 41.95
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Abstract
Jazz is the dynamic tension between the expected and the improvised. Miles Davis was brought up torn between his well-to-do white-emulating upbringing and his black heritage. Davis not only bridged this gap but helped create entire new musical vocabularies throughout his long and varied career as a jazz trumpeter. This report shows his evolution and his continuing influence on other musicians, as described in his biography, "Miles Davis: A Biography," written by Ian Carr.
Paper Outline:
Abstract
Introduction
Childhood
Further Development
Evolution, Addiction, & Resurrection
His Influence on Music Today
Concluding Remarks
References
From the Paper
"He worked with and was a catalyst for Tony Williams, Jack DeJohnette, Herbie Hancock, Chick Corea, Wayne Shorter, Ron Carter, and countless others(p234). Many times in his career it had been declared that he already "peaked" and was a remnant of the 50's, of bebop, of cool jazz, of fusion jazz. But he never let himself grow complacent and become an icon of the past. By not producing unless he had something new to say, he was able to continually stay relevant, and re-invent himself every few years (p183). "
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Mozart, 2006.
A discussion about the lieder (songs) which Mozart wrote and the influence these compositions had on future composers.
1,726 words (approx. 6.9 pages), 6 sources, MLA, $ 55.95
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Abstract
The paper discusses the sixteen German lieder (songs) which are largely unknown works of Mozart. The paper explains that Mozart was a forerunner for German lieder and that his influence is seen in many of Franz Shubert's early works. The writer describes some of the stories told by Mozart's songs and compares "An Chloe" to "Abendempfindung", written on the same day, yet polar opposites. The writer explains that "An Chloe" is about the love of a shepherd for a shepherdess and "Abendempfindung" is a reflection on death. The paper compares the styles of Mozart and Schubert's songs. In conclusion, the writer posits that Mozart helped build the foundation for German lieder and although his songs are not the most frequently performed in this genre, they were very important in establishing the tradition of German lieder.
From the Paper
"In "An Chloe", Mozart once again crafts the music exquisitely around the poetry. "An Chloe" is a pastoral poem. Damon, a shepherd, is in love with Chloe, a shepherdess. This song has a six-measure introduction closing with a cadence and is primarily in the tonic. There is a measure of dominant in the third system and the first phrase ends in a cadence. The second phrase moves to the dominant and chromatic elements are presented with the introduction of "und ich halte dich... (and I hold you and kiss...)." This is the beginning of the real passion of the song and it is fitting that the chromaticism begins here. The beginning of the song is repeated in measure 28, but begins to be varied chromatically in measure 35 as the shepherd talks about holding Chloe tightly to his breast. The broken rhythms in measures 41-43 show the breathlessness of anticipation before the soaring vocal line for "eine dustre Wolke mir (a gloomy cloud to me)." The same idea of breathlessness is repeated in measures 49-51 and 56-59 before the climax of the song in measures 62-66. This climax has the most operatic vocal lines so far. The shepherd is saying "aber selig neben dir (but blissful beside you)". The song ends with a final cadence."
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The Finale of Beethoven?s Choral Symphony, 2006.
A look at how Beethoven's Choral Symphony helped shape the genre of the classical symphony.
910 words (approx. 3.6 pages), 4 sources, MLA, $ 32.95
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Abstract
This paper examines the great impact that Beethoven's Choral Symphony had on the genre of the classical symphony. The paper explains how, despite of all the criticisms of the Choral Symphony that continue to this day, in writing it Beethoven helped the genre of classical symphony evolve, translating it from the Classical to the Romantic.
From the Paper
"In addition, recent studies on the sketches have been difficult, as some sketches were lost, sold, or found to be out of their original order (Levy 19). It is evident from what has been found and deciphered that Beethoven's original intention was to write two separate symphonies, and the Ninth is what resulted from his simultaneous work on both. Evidently, he intended his two symphonies to consist of a London symphony, which would be instrumental; and a German symphony, setting Schiller's "An die Freude" to a different tune than the one he finally used in the Ninth (Cook 13-14)."
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The Two Dylans, 2006.
A comparison between poet Dylan Thomas and singer/songwriter Bob Dylan.
2,400 words (approx. 9.6 pages), 9 sources, MLA, $ 73.95
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Abstract
This paper compares the life, work and impact of the Welsh poet Dylan Thomas and the American folk rocker Bob Dylan. The paper begins with a thorough overview of the development of Thomas' original writing style. The paper also discusses Thomas' unsurpassed ability to touch raw human emotion and his influence over a generation of artists to come. In this section, the paper analyzes one of Thomas' many well-known poems, "Fern Hill". Next, the paper analyzes Bob Dylan's songwriting style, his development as an artist and the influences over his writing. According to the author, one of Dylan's greatest influences was Thomas. In this section, the paper quotes from the Dylan songs "Subterranean Homesick Blues" and "Sad Eyed Lady of the Lowlands". Finally, the paper compares the writing styles of the two artists, explaining that both were able to gain popularity with art mediums that were thought be almost extinct. Other similarities discussed include the vague obscurity in their language, the deep meaning in their verses and the impact of their similar childhoods on their writing.
From the Paper
"Dylan Thomas, probably one of the best known British poets of the 20th Century, was born in Swansea, Wales, on October 27, 1914. At a very early age Thomas possessed an unusual gift in the use of poetic diction and imagery. As a student, Dylan was said to have been ludicrously bad every subject except English. Thomas' exceptional gift for poetry was finally discovered during a poetry competition. Dylan submitted his poetry to a column called "Poet's Corner." Prizes were awarded to the best poem over a six-month period, and the prize was that the Sunday Referee would publish the winning poet's work in book form. Thomas won the contest with his obscure poem, "The Force that though the Grass Fuse Drives the flower." The book was not immediately published however, because of its obscurity. Eventually, David Archer of the Parton Bookshop agreed to have the book printed. 500 copies were printed, and 250 were later bound and issued in December 1934. The book named "18 Poems", was praised for it's obscurity and originality. In the two years that followed Dylan wrote and published another collection of poems entitled "25 poem." These two early works gave Dylan critical acclaim and brought him into the limelight. Dylan's poetry had the ability to recreate the readers own experiences of both happiness and defeat. One critic wrote about Dylan's musicality and his laughingly lifting language. A great example of this in Dylan's work can be seen in this portion of his poem 'Fern Hill.'"
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Claudio Monteverdi, 2006.
This in-depth paper explores the life and many accomplishments of composer and musical genius Claudio Monteverdi, also known as the transformer of European music.
4,344 words (approx. 17.4 pages), 12 sources, MLA, $ 114.95
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Abstract
This well-researched paper chronicles the life of classical composer Claudio Monteverdi, beginning with his birth in 1567, in northern Italy. Monteverdi was labeled a creative and dominant musical genius while still a child. The writer of this paper discusses the external influences in Monteverdi's life that motivated and aided in his creating and composing musical masterpieces which garnered him well deserved respect and fame as an influential composer. Monteverdi published two books detailing his madrigal music in 1603 and 1605 respectively. Both pieces of music integrated the avant-garde manner with the composer's idiom. The writer examines the creation of "The Opera of Orfeo" which cemented Monteverdi's status as a talented and influential composer. This in-depth paper contains much research and information regarding the various works of music created and composed by Monteverdi which explains why he was and still is considered the transformer of European music.
Table of Contents:
The Early Years
The World Beyond Home
The Madrigal Masterpieces
The Grief - Composition of "L'Arianna"
A Toil in Vain - Composition of Counter-Reformation
The Golden Period - Appointment at St. Mark's
The Commissions
The Last Decade
The Madrigal
The Artusi-Monteverdi Controversy Over Monteverdi's Madrigals
"Mantuan Context" for Monteverdi's Madrigal Composition
The Inspirations of Monteverdi
Marc'Antonio Ingegneri
Giaches de Wert
Wert & Monteverdi
Conclusion
The Esteem in Art History
The Fortunate Opposition
Monteverdi's Madrigals
Monteverdi - A Teacher for Generations
References
From the Paper
"The Opera of Orfeo established Monteverdi's status as a talented composer. This opera established that the composer knew much more about this music genre than his forerunners ever did. For example, his recitative was suppler and representative than any of them had. Monteverdi's recitatives were on the basis of the oratorical melody of his madrigals, instead of being found on the ancestor's theories of sensitive speech. After the passage of few months since the production of Orfeo, Monteverdi's wife, Claudia Cattaneo, passed away when she ultimately surrendered to months of sickness. This impelled Monteverdi, in an unhappy condition, to return to the home of his father to lament the death of Claudia."
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Elvis Presley , The Legend, 2006.
An exploration of Elvis Presley, the man and his music.
3,194 words (approx. 12.8 pages), 13 sources, MLA, $ 92.95
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Abstract
In this paper the author takes an in-depth look at Elvis Presley from his roots and early childhood right through until the day he died. The paper explores all aspects of Presley's life, including the influences that made him the legend he became. The author highlights many of Presley's songs and movies and the attitudes to them from all walks of life. The paper concludes with the undoubted opinion that Elvis Presley was the first rock and roll star and remains a legend today.
From the Paper
" Meanwhile Presley's personal life had become the subject of countless tabloids. In February 1972, Presley separated from Priscilla and on his birthday in 1973, filed for divorce. Less than a week later the TV special Elvis: Aloha from Hawaii was broadcast over satellite to over a billion people in forty countries, an indication of his international appeal although, with the exception of three dates in Canada in 1957 and an impromptu performance in Paris while on leave in 1959, Presley never performed outside the United States. "
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