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Literary Symbolism, 2008.
A discussion on the literary symbolism in Nathaniel Hawthorne's works, "Young Goodman Brown" and "The Scarlet Letter".
893 words (approx. 3.6 pages), 2 sources, MLA, $ 31.95
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Abstract
This paper discusses Nathaniel Hawthorne's works, "Young Goodman Brown" and "The Scarlett Letter" in relation to Ralph Waldo Emerson's view that the entire world is emblematic, due to the idea that "the whole of nature is a metaphor of the human mind". In particular, the paper examines Hawthorne's use of emblematic symbols in the short story "Young Goodman Brown" and in his novel "The Scarlet Letter". The paper specifically examines the symbol of the pink ribbon of Goodman Brown's wife Faith and the scarlet "A" embroidered on the dress of Hester Prynne in "The Scarlet Letter".
From the Paper
"The reader is first introduced to Prynne's "badge" in Chapter Two of The Scarlet Letter when she emerges from jail--"On the breast of her gown, in fine red cloth, surrounded with an elaborate embroidery and fantastic flourishes of gold thread, appeared the letter A." Upon being led to her "place of punishment" for committing adultery with Arthur Dimmesdale, all eyes are immediately drawn to the scarlet "A" which "had the effect of a spell, taking (Hester) out of the ordinary relations with humanity and enclosing her in a sphere by herself" (Bell, 163-164). Obviously, this scarlet emblem upon Hester's dress seems to emit a life of its own, much like a flaming torch burning in the darkness. It is also a symbol of her "evil doings," for Hester "hath raised a great scandal. . . in godly Master Dimmesdale's church" (Bell, 170).
"In Chapter Five, this weird property of the scarlet "A" is made even more pronounced when Hester walks out of prison--"She came forth into the sunshine which. . . seemed, to her sick and morbid heart, as if meant for no other purpose than to reveal the scarlet letter on her breast" (Bell, 185). Notice that Hawthorne intentionally equates Hester's "heart" with the scarlet letter, i.e., both are emblematic/symbolic of the color red, much like Faith's pink ribbons."
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Mary Shelley's "Mathilda", 2008.
This paper examines "Mathilda" by Mary Wollstonecraft Shelly.
2,038 words (approx. 8.2 pages), 6 sources, MLA, $ 64.95
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Abstract
The paper analyzes how Mary Shelley's novel "Mathilda" offers insights into Shelley's own personal life. The paper describes the difficult and dark story of incest, love and loss and shows how "Mathilda" mirrors many aspects of Shelley's life, from the estrangement with her father to her growing distance from the poet she loved.
From the Paper
"It is important to understand elements of Shelley's life to see just how this novel parallels her own short and difficult life. Mary Wollstonecraft Shelley was born in August 1797 in London. Her mother died eleven days after she was born, and her father raised her along with her half-sister. Both of her parents were well-known writers of the time, and so it seems fitting that Mary would follow in their footsteps. In addition, her parents had led scandalous lives before they met and married. Her mother had an illegitimate child before she met William Godwin, and they had only married five months before she was born, because they did not believe in marriage."
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St. Augustine's "The Confessions", 2008.
Explores the books of St. Augustine's "The Confessions" ("Confessions"), a great theological and religious masterpiece.
1,810 words (approx. 7.2 pages), 2 sources, MLA, $ 58.95
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Abstract
This paper explains that St. Augustine underscores his positions and personal views on the Incarnation and the Trinity (Father, Son and the Holy Spirit) in his book "The Confessions" ("Confessions"). In the last three books, Augustine presents a very detailed account of Genesis and the creation of man and his environment by interrelating the work of the Holy Spirit into the act of creation. The paper points out that this book, in which Augustine relates his conversion through his own spiritual journey from hedonist to teacher to bishop to priest, serves as one of the most important and influential works praising God.
From the Paper
"In Book Eleven, Augustine contemplates the possibilities that lay in wait upon his death, possibilities that surely would have come to fruition if he had not converted to Christianity, being damnation and eternal punishment at the hands of Satan and his hosts in Hell. In Part 16, Augustine poses the question, "But do I ever pass away? O my soul, commit whatsoever you have to him, for at long last, you are now becoming tired of deceit. Commit to Truth. . . and you will lose nothing. What is decayed will flourish again; your diseases will be healed'."
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Hawthorne: The Unpardonable Sin, 2008.
A discussion of the theme of unpardonable sin in Nathaniel Hawthorne's works.
1,160 words (approx. 4.6 pages), 3 sources, APA, $ 39.95
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Abstract
This paper discusses the many forms through which Hawthorne's definition of 'unpardonable' sin evolves in his works of fiction, focusing on "The Birthmark," "Ethan Brand," and "The Scarlet Letter." Whatever the form the sin takes it becomes the sinner's obsession and ultimate destruction. The writer examines its relationship to another important and related theme, death, and describes how Hawthorne showed that sin continues to affect others even after the sinner's death. Finally, in "The Scarlet Letter," the concept of sympathy emerges as a redeeming product of the unpardonable sin, bringing the characters closer together and deepening their humanity.
From the Paper
"In "The Birthmark," Hawthorne begins to talk about the unpardonable sin, but he really does not develop the concept to the extent that it could be developed in that particular work. Instead, the evolution of the unpardonable sin takes place through several of his books. While it begins in "The Birthmark," real development of it is seen in "Ethan Brand" where it achieves more definition. At that point the reader is much more aware of what Hawthorne is actually talking about and this helps to show the importance and the seriousness of the issue of the unpardonable sin. Full realization of the unpardonable sin, however, comes in another Hawthorne work, "The Scarlet Letter.""
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"A Rose for Emily", 2008.
An examination of the limited lifestyle of women in the South after the Civil War, as illustrated by William Faulkner in "A Rose for Emily."
1,023 words (approx. 4.1 pages), 1 source, MLA, $ 36.95
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Abstract
This paper introduces, discusses and analyzes the short story, "A Rose for Emily," written by William Faulkner. Specifically, it discusses the roles of women in the South following the Civil War, as illustrated in the story. The paper shows how this tragic story illustrates how the limited lifestyle of women at that time living in the South affected the main character and other women.
From the Paper
"The women will not leave her alone, they judge her when she is seen with the northerner Homer Barron, and they judge her when he abandons her. They meddle in her affairs, send the minister to talk to her, and even notify her relatives of her "scandalous" behavior. They concern themselves with what she does, but never make an attempt to help her, or even understand her, and so, they are essentially the villain of the tale. Their gossip drives her to become a recluse, and perhaps even drives her mad. The women have little role in society, and so they fill up their time with gossip and unreal expectations for others, to make up for what is lacking in their own pitiful lives."
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Gender in "Twelfth Night", 2008.
This paper explores Shakespeare's gender constructions and cross-dressing in the play "Twelfth Night".
2,016 words (approx. 8.1 pages), 8 sources, MLA, $ 63.95
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Abstract
The paper explores Shakespeare's gender disguise that distorted female identity and investigates early modern constructions of gender as distinct from sexual difference. The paper examines the play "Twelfth Night" in order to show how it was Shakespeare's intention to challenge gender taboos of the Elizabethan age.
From the Paper
"Considered by critics as Shakespeare's best achievement in the comic genre, the play Twelfth Night or, What You Will affords an elaborate exploration of love and power relationships, gender roles and taboos. Identity poses highly confounding problems, as there are numerous layers to the characters' gender roles and their maze-like relationships and (homo) erotic affinities. Through a range of female characters and the implications of (wo)man disguises, Shakespeare exposes gender issues. Several heroines of the comedies appear in disguise on the Renaissance stage, which represents the cultural context of the play."
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Metamorphosis, 2008.
A review of the book "Metamorphosis" by Franz Kafka.
1,738 words (approx. 7.0 pages), 4 sources, MLA, $ 56.95
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Abstract
The paper discusses Franz Kafka's "Metamorphosis", a tale verging on science fiction, that weaves the idea of industry and learned helplessness into one family's lives. The paper explains that "Metamorphosis" expresses the need to allow metamorphosis to engage you and help you create a better way for yourself, without relying blindly on others to do so for you, no matter their good intentions. The paper also states that all of the characters in the work experience a metamorphosis of sorts, allowing them to re-engage in the industry of life. The paper comments that Kafka's book expresses the need to allow metamorphosis to engage you and help you improve yourself, without relying blindly on others to do so for you.
From the Paper
"If one were seeking to understand this work, solely on the metamorphosis of Gregor, there would be confusion and oversimplification. In a sense the dramatic nature of Gregor's position is a literary device possibly an illusion to what might happen to such a family if Gregor where to become an invalid in any other manner, and yet the dramatic and complete transformation of Gregor into an insect instead is far more engaging and holds an element of the need for the reader to suspend disbelief."
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"Stolen Lives", 2008.
This paper examines the cinematic elements in Malika Oufkir's memoir "Stolen Lives".
998 words (approx. 4.0 pages), 3 sources, MLA, $ 35.95
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Abstract
The paper describes the story of Malika Oufkir's life as recounted in her memoir "Stolen Lives" and shows how Malika's childish desire to become a glamorous actress sustained her through the ordeal she suffered. The paper maintains that, despite its subjective nature, the book is a compelling portrait of political imprisonment and injustice that took away the best years of a young woman's life. The paper concludes that as recent events have brought the question of the rights of the politically imprisoned to the forefront of our own national consciousness, "Stolen Lives" is a worthy dramatization of the issue.
From the Paper
"The story of Malika Oufkir's life rivals that of the made-up tale of the supposed surviving princess and daughter of the last czar, Anastasia. Only Oufkir's memoir is nonfiction, and perhaps more worthy of cinema. "Although Stolen Lives would be a smashing good tale if it were fiction, it is all the more compelling since it is true," wrote one reviewer (Sherrer, 2001). Imagine this beginning of a film. A young girl, selected by the capricious hand of fate, is given the honor of becoming the adopted daughter of the King of Morocco, King Muhammad V and is sent away at the age of five from her parents to be raised with the king's daughter as the girl's companion in a harem. The girl has been taken away from all that is familiar, but she lives a charmed life of luxury. When she is a teenager, she is sent back to live with her parents, her usefulness exhausted to the royal family. She must get to know her parents and siblings again, for they are now strangers."
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Coping With Dysfunctional Families, 2008.
This paper compares and contrasts Anne Tyler's novel "Dinner at the Homesick Restaurant", Roddy Doyle's "Paddy Clarke, Ha Ha Ha", and Nino Ricci's "Lives of the Saints".
986 words (approx. 3.9 pages), 3 sources, MLA, $ 35.95
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Abstract
The paper examines the family structure in Anne Tyler's novel "Dinner at the Homesick Restaurant", Roddy Doyle's "Paddy Clarke, Ha Ha Ha" and Nino Ricci's "Lives of the Saints". The paper explains that because of a lacking or dysfunctional family structure, the children of the Tyler and Doyle novels become mired in loneliness and isolation. The paper contrasts this to Ricci's young protagonist who still manages to emerge as a resilient narrator, because he looks positively at the difficulties he experienced.
From the Paper
"In Dinner at the Homesick Restaurant, Cody, Ezra, and Jenny are abandoned by their father and raised by a difficult mother, Pearl. Pearl finds it difficult to emotionally cope with her husband's abandonment, because of the financial stresses of her circumstances and the fact that she has no real friends or family members willing to help her survive. Her children grow up to become functional members of society, vocationally, but their family lives are fraught with difficulties. Even as Pearl lies on her deathbed, the family has difficulties communicating."
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"The Merchant of Venice", 2008.
A study of the message conveyed in William Shakespeare's "The Merchant of Venice", through the portrayal of the characters.
2,300 words (approx. 9.2 pages), 1 source, APA, $ 70.95
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Abstract
The paper discusses the play "The Merchant of Venice" by William Shakespeare which depicts characters who are not as obviously evil or heroic as originally thought. The paper illustrates that the play simply raises the question of stereotypes and of the audience's prejudices toward a race of people, in order to examine it in their own minds. There is no answer to the question of whether Shylock was good or evil. Critics who have placed the blame either squarely on Shylock for being evil or who have taken the opposite tact, have missed the point. The paper concludes that the point of the play is not to display Jewish villainy, but to show humanity, to examine pity, to find the meaning of mercy and to dread the consequences of revenge.
From the Paper
"It is here, in The Merchant of Venice, the Jewish Shylock makes a case against slave ownership. He reaches the trial, an opportune time in the play where one might be able to make a point and make a point Shylock certainly does. Even though it has been argued that Shakespeare was anti-Semitic, in actuality, The Merchant of Venice shows that he is not insensitive to the Jewish plight and in fact is more anti-slavery than anything else. Even though the hero, Antonio, his friend, Bassanio and the duke triy to save the day, all are against him, Shylock does not waver, but continues with his request for a pound of flesh, as he says, concerning slaves, "Let them be free, marry them to your heirs /Why sweat they under burdens?.. . . You will answer 'The slaves are ours.' So do I answer you." A young judge is sent, when Bellario cannot come to be judge because he is ill. Balthasar decides in Antonio's favor, speaking through Portia, who in this play is shown not only to be assertive, but wise."
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"Ramayana" and "1001 Arabian Nights", 2008.
A comparison of the lessons that we learn from the characters in the ancient classical works, "Ramayana" and "1001 Arabian Nights."
1,053 words (approx. 4.2 pages), 0 sources, $ 36.95
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Abstract
This paper compares and contrasts the two ancient and classical stories of "Ramayana," attributed to the Hindu sage Valmiki and "1001 Arabian Nights," which is a collection of stories collected over many centuries by various authors, translators and scholars in various countries. The paper specifically compares the characters within the stories and the lessons of morality that they teach.
Table of Contents:
Purity and Deceit in Ramayana
Purity and Deceit in 1001 Arabian Nights
From the Paper
"Eventually there are no more virgins and Scheherazade offers herself as the next bride. In order to keep his daughter alive, Scheherazade's father tells Shahryar a story without telling him the conclusion. In order to hear the end, Shahryar must keep Scheherazade alive. The next, Scheherazade finishes the last tale and begins another, only again to stop short of revealing its conclusion. Thus, the 1001 stories of the book are told. Although each of these stories involve their own tales of morals, purity and deceit, in an effort to teach Scheherazade a lesson, this act of telling stories itself is deceitful in that it is done as a method of tricking Scheherazade. However, this act of deceit, like the act of deceit done by Brahman in creating Rama to defeat evil, this act of deceit is also done for the greater good."
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